Stop Trying to be Fantastic

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Bringing art to unexpected places and helping everyone find their creative spark. Welcome to Cygnet’s Dream Festival. Passion and pain have clearly forged this award-winning writer/performer’s work. Making an hour pass in the blink of an eye, yet filling that space with purposeful intention, Molly stands alone – vulnerable, funny, self-reliant. I’m performing at Summerhall for the first time. It’s my favourite venue in Edinburgh, so I’m very happy I get to perform and hang out there. Most of these strategies are destructive, although the first one, storytelling, gave her a successful career path. The second one, boozing, was not so fortunate. It led to unwise relationships, shame, humiliation and general problems with her health. But anything that makes the magpie go away, gets noted, and replicated. She makes us think of the different ways we deploy to fend off our insecurities, which can sometimes be self-sabotaging. These strategies are very common: Abraham Lincoln, Michelangelo, John F. Kennedy and George Washington all experienced some aspects of self-sabotage before they made history – so we are not alone.

I’ve also directed Butch Ado About Nothing by Grace Petrie, so I’ll be looking forward to seeing that! I’m also excited about seeing Chris Singleton and Roann McCloskey. I’m going to start working on a new book project. A little break from performing will probably feel essential! Molly Naylor gives a warm in>mate performance making everyone comfortable, which dispelled the nervous mist among the audience from the first word. As both writer and performer Naylor takes strong grip of the script, something needed in a production that relies so heavily on its metaphor as its core drive. As the purpose of the production unfolds seamlessly, Naylors ability to hold the audience’s attention must be admired.The story is one that, as it evolved, felt like it could have been told about so many of us. Our self-doubt following us around, sat on our shoulder, like the magpie metaphor the story is staged around. Molly develops a lifelong learned habit of being a people pleaser, putting others first, being always altruistic. How many of us do the same traits apply to? Stop Trying To Be Fantastic is about the strategies we use to avoid pain and suffering, and the impact these strategies have on us. It’s based on a period in my life and tells a mostly-true story about a strange series of events and what I learned from experiencing them. It’s about saviour-complex, the things that haunt us and what we can do about them. It’s a sort of anti self-help show, that I’m hoping might actually help. Stop Trying to be Fantastic has only a couple of stops left on its tour (NORWICH THEATRE (STAGE 2) – 19 May & LONDON 2NORTHDOWN – 22 May). It is a show that will offer a charming theatre outing while making you think about “ what we owe to each other and what we owe to ourselves”. It will certainly make you laugh, while making you think about the metaphor that you are trying to escape.

The story starts with a metaphorical magpie which flies into Naylor’s childhood house. Magpies are considered to be a symbol of intelligence and wit and also, more menacingly, deceit, and the embodiment of dread. Molly tells us, often humorously, of her attempts to drive the bird away and totally engages her audience who want to know more of her adventurous journey. She takes us through familiar nostalgic territory and awakens in us memories of our own struggles. Her strategies included: getting drunk, throwing herself totally into work, and doing amazing acts of kindness. She desires approval, (don’t we all?), but striving to reach that, we often sacrifice relationships on the way. Award-winning writer/performer Molly Naylor has some ideas to share – with a little help from a feathered fiend, who may not quite be the monster it seems. Review by Jeremy Day. If anyone’s seen me do a gig, I do talk quite a lot between songs. I tell stories and I try and make the introductions funny. Over the years that’s just extended until somebody said to me, “you know you’re a real folk singer when the introductions get longer than the songs!” So I thought, I need to put my money where my mouth is. I wanted to see what happens if there’s no safety net of a guitar. It’s just me with nothing to hide behind. It’s been an amazing experience learning that I can do that. I’m full of admiration for comedians who do it all the time, but I’m really proud of myself for taking the leap. How did you find striking the balance between funny and serious, when talking about such an identity-centric topic?

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Do you have a nagging voice inside your head? How do you deal with it? Stop Trying to be Fantastic by Molly Naylor explores the challenges of having that constant internal nagging. Of course, it’s a metaphor. A symbol of a trauma not discussed; silenced and suppressed. Stop Trying To Be Fantastic turns the elephant in the room to the magpie in the room. And, if you’ve ever witnessed a bird when it accidentally finds itself trapped you know exactly how it panics, thrashing about leaving havoc in its wake. Stop Trying To Be Fantastic is that which gets left behind once the incident has passed. The initial mess might be cleaned up, yet an echo remains. Stop Trying to Be Fantastic is a mostly true story about suffering, saviour-complex, self-acceptance, and a magpie who refuses to quit. NAC supported artist Molly Naylor is heading to Edinburgh Fringe this August at Summerhall with her new show Stop Trying To Be Fantastic. There’s something to do pretty much every night, but there’s also so much delicious countryside to disappear off into. It’s also a very queer-friendly city, which is a good thing! Also – Roys, obviously.